Digitaalne helipult RCF M 18

468.00 €
Hind km-ga: Jah Ei
Järelmaks: Al 11.37 € kuus
Eesti piires on kohaletoimetamine tasuta

Võimalusterohke digitaalne helipult mis võimaldab mikrofonide ja instrumentide heli väga täpselt paika seada, kasutada erinevaid efekte ja singaalitöötlust ning heli salvestada.

Seade võimaldab ka helisätteid salvestada ja taas sätteid kiirelt laadida. Nii saab erinevate sündmuste eelsätted valmis panna ja kiirelt esile kutsuda, samuti on võimalik algsätted kiirelt taastada pärast mõnda sündmust.

Ilma liuguriteta, kõik-ühes seadmel on sisseehitatud WiFi access point koos nii väliste kui sisemiste antennidega, mis võimaldavad seadet juhtida kuni viielt tahvelarvutilt korraga. Seadmel on kokku 18 sisendit, neist 8 mikrofonisisendid. Kasutada on üheaegselt kuni 19 stuudiotasemel efekti.

Allpool olev info on pärit tootja kodulehelt:
Kasutusjuhend: M 18 Manual 1.1.020
FEATURES
  • 18 analog input channels, 8 mic preamps and 10 Line inputs including 2 HiZ switchable inputs
  • Three internal FX: Reverb, Delay, Modulation
  • 19 simultaneous studio-grade effects, including Guitar & Bass emulations developed by Overloud
  • MixRemote app ensuring a comprehensive control
  • Valve warmer, Xciter, Maximizer and Stereo Graphic EQ on Main Mix
  • 1 stereo main out and 6 aux outputs
  • USB port for the internal four-track player and two-track recorder
  • MIDI IN and OUT ports
  • 1 dual footswitch connector
  • Internal power supply
ELECTRONIC SPECS.
  • Frequency Response:20Hz ÷ 20kHz
  • Total Harmonic Distortion (THD+N):0.003%% A-Weighted
PROCESSING
  • Processing Channels:20
  • Signal Processing:32 Bit Floating Point
  • A/D-D/A conversion:24 Bits @ 48kHz
  • Dynamic Range:114dB
WIRELESS SPEC.
  • Internal Access Point:yes
  • Dual Band:yes
  • IEEE802.11 b/g standard:2.4 / 5.0 GHz
  • Antennas:2 int. + 1 ext.GHz
INPUTS
  • Mic:8
  • Gain range:0dB ÷ 60dB
  • Input Noise Level:-128dbU A-Weighted
  • Mic Inputs Impedance:1
  • Low Cut:adjustable 10 to 500Hz
  • Phantom Power +48V:yes
  • Line:10
  • Gain range:-10dB ÷ +4dB
  • Line Input Impedance:10
  • HI-Z Line Inputs:2
  • HI-Z Line Inputs Impedance:1
  • A/D Dynamic Range:114dB
OUTPUTS
  • Main MIX:2
  • AUX Send:6
  • FX Send:3
  • Phones:1
OUTPUT SPEC.
  • Main Out Impedance:50Ω
  • Main Out Level:21dBu
  • Aux Out Impedance:50Ω
  • Aux Out Level:21dBu
  • Phones Out Impedance:40Ω
  • Phones Out Level:35dBu
  • D/A Dynamic Range:114dB
GATES
  • RCF Gates:“Gates present on all input channels”
COMPRESSORS
  • RCF Compressors:“Compressors present on all input channels”
EQ
  • BANDS:2 Parametric / 2 Shelving
  • Input Channels EQ:“Standard, Vintage, Smooth EQs on all input channels. Standard EQ on AUX Out.”
AUXILIARY SENDS
  • AUX:2 PRE/POST
  • AUX:4 POST
  • FX:3 POST
INTERNAL EFFECTS
  • Send Effects:3
  • MultiFX insert effects:16
MASTERING PROCESSORS
  • Main OUT Processors:“Valve Warmer, Xciter, Maximizer, 31 band Graphic EQ present on MAIN MIX”
USB AUDIO
  • Type:A
  • Play trk:2
  • Rec trk:2
  • Supported Sample Rate:48kHz
  • Supported Play Formats:MP3, WAV, AIFF
  • Compressed File Format play(up to):up to 320kbps
  • Supported Rec Format:WAV
OTHER FEATURES
  • Footswitch:Dual
  • MIDI IN:yes
  • MIDI OUT:yes
  • LAN port:yes
ELECTRICAL SPECS.
  • Power supply:internal
  • Voltage requirements:from 100V to 240V
  • Power consumption (max):40W
CABINET
  • Cabinet Material:ABS
  • Colour:Black
PHISICAL SPECIFICATION
  • Height:88/3.465 mm/inch
  • Width:340/13.386 mm/inch
  • Depth:180/ 7.087 mm/inch
  • Net Weight:2,5/ 5.511 Kg/Lbs

M18 INPUTS & OUTPUTS

The six XLR and two Combo connectors that are present on the M 18’s rear panel provide 8 mic preamp inputs, which are designed to lay the foundations for a transparent, warm and dynamic sound. Line inputs have been developed with the same focus. The 10 TS jacks from 9 to 18 provide the line inputs of the M 18. Two of them, 9 and 10, are switchable to Hi-Z – High Impedance input (1MΩ) – and allow direct connection of passive or low-level instruments directly, without the need for an adapter. This is the ideal solution for acoustic or electric or bass guitars with passive pickups. The remote-controlled Mic Gain allows the user to control the Mic Preamps and Line input Gain even at high distance from the M 18 box. All the settings are stored in the snapshot memories and can be recalled according to the user’s needs. Six +22 dB balanced AUX Outputs are on hand to connect stage monitors or external effect processors, in case the M 18’s internal processing is not sufficient for the user’s needs. The +22 dB balanced MAIN MIX outputs are supported by a pair of male XLR.

M18 ANCILLARY CONNECTIONS

A headphones stereo output completes the M 18’s audio input and output suite. Using the Personal Mix function on the PHONES menu of MixRemote App it is possible to create a fully personalized stereo monitoring. The headphones’ output also offers MAIN MIX and, alternatively, PFL listening. MIDI IN and OUT ports are also present on the rear panel, allowing the connection of various types of MIDI controllers. The footswitch port allows connection of a single or double stage footswitch to recall effects’ presets or to mute effects’ returns, as well as providing several other control functions. A USB type-A port allows connection of USB devices, such as pen drives or hard disks, to create a complete stereo system for playback and audio recording: this supports all the most common audio file formats, both high-quality and compressed. The intuitive graphics of MixRemote App helps the user to manage song playlists also with the AUTO play function.

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MIXREMOTE APP

The MixRemote App enables complete and versatile control of the RCF M 18 Digital Mixer. Developed for iOS and Android, the MixRemote App has been designed with musicians in mind and is very simple to use, thanks to its intuitive Graphic User Interface. Each page or channel functions can be reached with a couple of touches of a single hand – an essential convenience while playing.

MixRemote app for iOS
MixRemote app for Android

 

INPUTS

MixRemote App has been developed to ensure a quick and intuitive interaction with the M 18 digital mixer. Special care has been taken to offer consistent navigation among pages. The screen area is divided into 5 different zones: click on the dots to discover them.

FX SEND

The main page presents three fader layers to control the FX sends. FX1-FX2-FX3 allows three internal FX feeds.

AUX SEND

The main page presents six fader layers to control the AUX sends. AUX1 to AUX6 allows six auxiliary output feeds.

EDIT BUTTON

The EDIT button gives access to the complete processing chain, which is present on every M 18 input channel:

Input Gain with high pass filter, 48V phantom power switch for MIC input, phase inversion, and Hi-Z selection (available on channels 9 and 10) Noise Gate, an essential tool for the use of high sensitivity microphones Professional Compressor, perfect to manage sources with the most demanding dynamic program

THREE PROFESSIONAL EQ CHOICES

The EDIT button gives access to the complete processing chain, which is present on every M 18 input channel:

All the input channels feature a four band parametric EQ, offering three intervention methods enabling different sound timbres.

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STANDARD

The Standard EQ type features the classical frequency response curve, controlled by four separate bands. Ideal for precise intervention and accurate frequency adjustment.

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VINTAGE

The Vintage EQ type offers a specific sound print on all four bands, bringing to mind the great vintage equalizers of the analog world. With its distinctive sound-shaping algorithm, this EQ is perfect for voices and percussive instruments.

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SMOOTH

The Smooth EQ type features a modern and sonically flexible EQ section. Even the most demanding sounds are easy to equalize with this algorithm. Select your preferred type of smoothness for high and low frequencies.

STUDIO GRADE EFFECTS – SEND

The M 18 digital mixer can provide up to 19 simultaneous effects. Three of them are defined as “SEND EFFECTS” and are fed by dedicated FX SENDS. FX1 is a particularly deep and transparent reverb, providing a realistic simulation of large ambients, such as halls, or rooms and plates. FX2 is a professional delay with a tap time up to 2500 ms and dedicated filters on the feedback signal, thus creating interesting sounds and complex tapping effects. FX3 is an assignable multi-effect with several choices: chorus, flanger, pitch shifter, among the others.

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A unique function that is available only in the M 18 digital mixer is the MultiFX effects chain. This powerful option can be applied to up to 4 channels: A freely ordered chain of three effects – Pitch Shifter, Chorus/Flanger, Delay – can be inserted into channels 5 and 6 or, alternatively, 7 and 8 Channels 9 and 10, which also have a selectable Hi-Z input line, provide an insert effect chain of 5 simultaneous effects.

This effect counts on as many as three different algorithms: Mono Delay, Vintage Delay and ER Delay.

MONO DELAY

Essential effect for any vocal or brass instrument. Using the LO-CUT and HI-CUT filter controls, musicians can generate sophisticated 1300ms rebound sounds with frequency-controlled feedback.

VINTAGE DELAY

A variation of the MONO DELAY, the VINTAGE DELAY program increases the delay time up to 2500ms, and adds a vintage filter frequency control.

ER DELAY (EARLY REFLECTION DELAY)

A shorter delay time, up to 200ms, produces very natural reflection sounds that are typical of small ambients. The filters’ control allows creating frequency-adjusted reflections.

CHORUS

An essential effect module for any guitar player. It helps creating spacious and clean guitar sounds and giving rise to unique atmospheres.

FLANGER

A fantastic “doubling” effect, ideal for guitars but also very effective when used on main vocals, and able to create impressive results. Try it!

TREMOLO

Classic effect heard in many records, past and contemporary. Mostly used on guitars, but also on electric pianos.

PITCH SHIFTER

Very useful effect, ideal to create detune effects or harmonized sounds. The extension of detune up to +/- 1 octave allows the use of Pitch Shifter as an “octaver” for bass or guitar typical sounds.

AUTOWAH

Indispensable tool for soul, funk and dance guitarists to re-create the characteristic sound of several hits of the 70’s and 80’s.

RING MODULATOR

Very useful tool to create atmosphere sounds. Ideal to obtain psychedelic guitar and synth tones.

OCTAVER

Nice tool for guitarists and bass players, allowing to obtain complex sounds composed by up to two additional octaves lower than the fundamental tone. Precise controls allow the user to measure out the desired octaves levels.

TUBENINE

Emulation of a classic distortion pedal with a typical overdrive sound.

DISTORT+

It reproduces the sound of classic distortion pedals. Tuning the three controls – DRIVE, LEVEL and TONE – it is possible to generate several nuances of distorted sounds, while maintaining a perfect dynamic control.

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TWO REALISTIC AMP MODELING CHANNELS

Designed for musicians. Two line inputs can be switched to a Hi-Z mode and host several realistic amp modeling simulators. Guitar and bass players can count on as many as 11 simulators specifically created for them: Darkface ‘65 (US), JazzC (JP), Rock ‘64 (UK), Rock 800 (UK) Crunch, Rock 900 (UK) Lead, Top30 (UK), Modern (US), BassMate (US), BassAmp (DE), Markbass Little Mark III (IT), Markbass TTE 500 (IT). Combine each amp with many different cabinets and explore various sound possibilities, emulating three types of microphone and three distinct positions: Near on axis, Near off axis, and Far from cabinet (1 m). The wide range of integrated sound options will allow every musician to re-create his own personal familiar sound without the need to transport heavy and bulky amplifiers and cabinets.

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DARKFACE ’65 (US)

Model of a notable 2×12” American guitar amp, perfect for both clean or distorted sounds. It faithfully reproduces all the nuances and is referable to the original amplifier when associated with its own cabinet

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JAZZ C (JP)

Emulation of a famous Japanese guitar amplifier, which is particularly popular among jazz guitar players. Its main features are the cleanliness of sound and richness of low frequencies.

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ROCK ’64 (UK)

The Bassface made it to the UK and a great engineer turned it into the amp of choice for the UK rock revolution.

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ROCK 800 (UK) CRUNCH

An early 70’s model of the classic “800”. It is an evolution of the Rock ‘64 modeled guitar amp.

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ROCK 900 (UK) LEAD

The evolution continues! This is a lead channel model of the UK rock guitar amp, a true sound from the 90’s.

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TOP30 (UK)

Model of the tube/diode rectifier US Amp, which has started the NuMetal wave and is also used in many other genres.

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MODERN (US)

Model of the tube/diode rectifier US Amp, which has started the NuMetal wave and is also used in many other genres.

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BASSMATE (US)

Model of a classic American 4×10” bass combo amp, tuned to be great for playing rhythm & blues on guitar once overdriven.

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BASSAMP (DE)

Model of the well-known German bass amplifier, that is the first choice of the best heavy metal and progressive rock bass players.

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MARKBASS LITTLE MARK III (IT)

Model of the 500-Watts solid-state amplifier of the iconic Italian producer. It has a warm and natural sound, and it faithfully reproduces the true tone of your instrument.

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MARKBASS TTE 500 (IT)

One more model of the iconic Italian producer MarkBass. TTE500 is the “Modern-Vintage” tube bass amp with unique sound reproduction characteristics.

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OVERANGE

The re-creation of a 1972 amplifier, 120W, all-tube head with dirty crunchy tone

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SLO88 LEAD

Emulation of the outstanding American Super Lead Overdrive amplifier, that set the benchmark for high-gain tube amp overdrive and distortion

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SLO88 CRUNCH

Same emulation as Slo88 Lead, but using the Crunch sound channel. The Crunch creates a moderately distorted sound, rich in harmonics, typical of blues guitarists.

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HEAVY 51

Emulation of an all-tube amplifier from 1992, signature model for Eddie Van Halen. Heavy 51’s sound is well known for its high-gain overdrive channel that has been widely used by rock, hardcore and metal guitarists

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ACOUSTIC SIMULATOR

Ideal to obtain the characteristics and nuances of an acoustic guitar, even when using a solid body electric guitar. When is use, the Acoustic Simulator substitutes one of the two Amp Simulator’s session.

 

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